Thursday 11 November 2010

initial furniture choices

from top to bottom: artist's chairs (dark colours that are in sync with the finishes I'm thinking of; the sprouting legs and wheels give a morphological, spidery feel; the wheels help in making the various parts  of the studio space easily accessible; comfortable leather backrest is essential for those spending long hours at the studio).
 Ron Arad's 'Box-in-4-Movements' seemed like a good choice to serve as the seating cum display units in the workshop spaces (when there is an ongoing workshop the plinths can be opened up to serve as temporary seating; as shut boxes- they are ideal as display plinths for artwork and sculptural exhibitions.)

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